![]() ![]() Gorillaz, like many of Albarn’s post- Great Escape efforts, is the perfect soundtrack for being high and disappointed in the desert. With Dan the Automator in tow, Albarn sets about crafting his very own trip-hop album. Plus, how many bands have a “Former fictional members” section on their Wikipedia page? It’s been ambitious from day one, with labyrinthine websites, broad multimedia reach (My first exposure to the band was through a jeep racing flash game) and complex live shows. Furthermore Gorillaz has been a delightfully one of a kind media presentation. But Gorillaz allows Albarn to space out and present completely out of character collaborations. ![]() This was a clever move on Albarn’s part since, being one of the most loved and hated singers in England, a solo album released under his own name would have come with loads of excess baggage and unwanted hype. One where Albarn could relegate himself to the shadows and use his avatars as the face of the band. Before 2001, this trickery was relegated to Blur but sensing the public catching onto his games, Albarn enlisted Tank Girl artist Jamie Hewlett to construct a virtual band. The masses purchase, rip the one track they care about, and toss it to their local thrift store. Since 1995 Damon Albarn has basically been releasing albums straight into used CD stores.Īlbums that are long, scattered, unfocused, weird and bummed but always have at least one hugely accessible hit single that draws the unsuspecting to it. Review Summary: For Tomorrow: A Guide to Contemporary British Music, 1988-2013 (Part 53) ![]()
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